? Qué bolá Coco ? On Tuesday May 3rd 2016, Karl Lagerfeld presented the CHANEL 2016/17 Cruise collection in Havana on the island of Cuba: a historic yet playful revolution that will go down in the annals of CHANEL’s spring rites.
The show took place on the Paseo del Prado, Havana’s main artery and symbol of the links uniting Cuba and France: the Prado was redesigned in 1928 by a French landscape architect who at every crossroads positioned eight spectacular bronze statues of lions, Mademoiselle Chanel’s fetish animal. CHANEL thus blended humbly into this predestined décor.
The setting sun haloed the watchful lions with gold; the show started with an opening passage affirming one of the major cruise silhouettes: masculine-feminine, terribly chic with a dash of scoundrel. A long masculine jacket over wide trousers with turn-ups, flat two-tone shoes, shirt belted with fabric, Panama hat by Maison Michel raffishly tilted over Stella Tennant’s haughty gaze. In this spirit of bold modernity, of boyish femininity, the “debutant dress” according to Karl Lagerfeld is jubilant: a tiered flounced petticoat in a leaf motif embroidered organza, contrasting with a mess jacket worn over a white shirt with tie.
The underlying theme of the collection is a virtuoso interpretation of the guayabera, the traditional Cuban shirt with pockets, shoulders tabs and flat pleats. Karl Lagerfeld mischievously nicknames it the “Cuban tux”
A perfectly pacific military parade, with adorable shorts and jacket suits in denim and khaki tweed, a parka in fringed tweed or this short-sleeve shirt with fantasy decorations embroidered by Lesage and Montex. With the same youthful energy, the same audacity, a little pair of cycling shorts delicately rhinestoned and embroidered with camellias in “Chinese shadows” are animated by a top scintillating with multi-coloured palm trees.
The palette is inspired by the vibrant baroque facades of the old town: yellow, pink, orange, turquoise, bright green burst and sparkle over the marvellous sequined and embroidered short little dresses, the chasuble-dresses in coral orange embroidered tweed. The same chromatic affirmation goes for the strapless dresses in sequins, with puffed sleeves, with fringes and feathers. The tobacco and Havana tones are reminiscent of the Cuban Picasso, Wifredo Lam. The blacks and the whites are shadowy, cloudy, smoky.
The ateliers have created wonders: the “tropical vegetation” embroideries are insanely refined: great leaves of Monstera Deliciosa caught between two layers of tulle for a subtle relief effect, a quasi-abstract “cigar” motif, birds of paradise on a long dress and bolero ensemble in beige crochet is stunning in its simplicity.
And always finished with a Panama hat, apart from the occasional sequinned black beret irreverently evoking “Commander” Che Guevara! In tune with this wildly spiritual collection, woven flip-flops, caged sandals worn over cheeky ankle socks, crocheted backpacks, soft bundle bags with multi-coloured local snail patterns, and of course the “cigar box” reticule, a nod to the Cocohiba…
The party continued at the Plaza de la Catedral in Havana Old Town, the baroque and hedonistic heart of the city, in front of San Cristobal, one of the most beautiful 18th century churches in Latin America. In an extraordinary tropical décor where every item of furniture and every decorative object was hand made by Cuban craftsmen and women, the 600 guests including CHANEL ambassadresses Vanessa Paradis, Gisele Bündchen and Alice Dellal, CHANEL ambassador Gaspard Ulliel, actresses Tilda Swinton, Marine Vacth, Alma Jodorowsky, Ana de Armas and Geraldine Chaplin, music producer Caroline de Maigret, illustrator and model Langley Fox Hemingway and director Deniz Gamze Ergüven swayed to the sounds of Septeto Habanero, Ibeyi, Rumberos de Cuba and the DJ Hugo Mendez.
Photo: The Courtesy of Chanel